Cuckoo! Cuckoo!

Gawk, Gawk, Gawky, Gog, Gok, Hobby and Welsh Ambassador are all names for the Common Cuckoo, a bird synonymous with so many different superstitions and folklore that it is hard to know where to start! For me it is very much a bird that heralds the coming of spring. I often hear one calling from a small copse near the quarry in Horton-in-Ribblesdale in April.

The migratory cuckoo flies to the UK from North Africa and is only with us for a short time but has given its name to many things including a number of plants. There are lots of cuckoo flowers including cardamine pratensis (aka lady’s smock) and lychnis flos-cuculi (aka ragged robin). Cuckoo Bread is another name for wood-sorrel, cuckoo buttons for spear thistle, cuckoo boots for bluebell and cuckoo’s eye for herb robert to name just a few.

For Charms and Murmurings at Ryedale Folk Museum, I have based two prints on the cuckoo. Here is the first:

This three plate collagraph depicts the cuckoo itself, two ‘cuckoo flowers’ and a cuckoo feather and it gains its title from the Medieval English round ‘Sumer is Icumen in‘. This is also known as the Summer Canon or the Cuckoo Song and roughly translates as ‘summer has come’.

Cuckoos are well-known for being ‘brood parasites’ which means that they don’t build their own nests and, once mated, the female lays her eggs in the nest of another bird such as a meadow pipit or dunnock. It is believed that the cuckoo’s resemblance to a bird of prey helps to frighten the host bird away from the nest allowing the cuckoo the opportunity to lay her egg. She can lay up to 25 eggs in different nests of her chosen species (they usually have a preferred host) and will replace one of the bird’s existing eggs with hers. The baby cuckoo develops very quickly and, on hatching, often kicks out the remaining eggs or hatched chicks from the nest. The host will then raise her huge alien baby as her own.

Maybe because of this unusual behaviour, the cuckoo has also become a bird associated with fertility, infidelity and lasciviousness. The word cuckold describes the husband of an adulterous wife who might unwittingly raise a child from that union as his own. It is linked directly to the cuckoo and appears frequently in the works of Shakespeare. Gowk is one of my ‘animal vegetable, mineral’ collagraph prints:

For this series I have taken feathers from my feather collection (it is extensive!) or referenced an online feather library for the animal part. The vegetable part depicts a plant and the mineral is based on a real or imagined manmade object. In this case we have an undertail covert cuckoo feather, arum maculatum (aka cuckoo pint) and a pottery sherd from a Delft birthplate. Cuckoo Pint gains its name from the word ‘pintle’ which is an old English word for penis and the fact that somebody once thought it resembled a cuckoo’s penis. I’ve always known it as Lords and Ladies but apparently that too is a rather suggestive name with it originally being written as Lord’s and Lady’s because someone thought the plant resembled the genitalia of both sexes! With regards to the plate, I have two sisters and my mum commissioned a plate for each of our births. The traditional blue and white Delftware had our names, birth dates and the time of our birth was shown on the clock. If you want to see what the whole plate looks like, they are still in production, an example can be seen here. I created a collagraph/drypoint pottery sherd as my artefact just showing a part of the cradle.

These are just two approaches to the stories surrounding the amazing cuckoo. Celebrated in festivals across the country, some believed that turning a coin in your pocket on hearing a cuckoo would bring good fortune whilst others thought the cuckoo’s habits could determine the outcome of the year’s harvest. There’s a lovely blog post by Jo Woolf in Argyll where you can read about more beliefs here

In my next post I will be talking all about the raven. If you’d like to see my work and the lovely pieces made by Josie Beszant and Charlotte Morrison, you can visit our exhibition at Ryedale Folk Museum until 2nd November 2025.

Join Us for Bird Lore and Meet the Artist Events

Since 2015, I have been working with artist Josie Beszant and ceramicist Charlotte Morrison on a project called Collections. We have been exploring the human urge to collect—why we gather, what we choose to preserve, and how objects can hold memory, meaning, and emotion. We have been developing our work through a series of exhibitions and residencies, including partnerships with museums and galleries. Eight years after our first collaboration with Ryedale Folk Museum, we were delighted to be invited back with an exhibition of new work called Charms and Murmurings.

The exhibition opens this weekend with two events at the museum – Bird Lore with Sally Coultard and Friends takes place from 11.30 – 12.30 when Josie and I will be chatting to the best selling local author and newly appointed patron of the museum about her latest book and our exhibition, both of which explore the fascinating folklore of birds. For more information and to book a place, click HERE

In the afternoon, Charlotte, Josie and I will be at the museum gallery from 2-4pm in a Meet the Artist event. We will be chatting to visitors and answering questions about our new work.

The exhibition continues until 2 November 2025 and over the coming weeks I will be writing about the collagraphs that I have made and the stories behind them. I hope you will join me in exploring the different birds that are loved and feared in our folktales and embedded in our language, place names, and traditions. 

Collections Update

cox-h-the-collectionAs I am not a very prolific blogger, I need to post a project update before I can tell you about what I’m currently doing in Sweden! Collections opened at Masham Gallery in November and has just come down after a very successful first run with lots of visitors, great feedback and plenty of sales. What more could we ask for? I’ve updated my website with a gallery featuring all of the prints that were shown. Above is a piece called ‘The Collection’ which is inspired by my own collections and features collagraph prints on wooden blocks in a traditional printer’s type case. The prints are sealed with acrylic wax to protect them and the whole piece can be hung on the wall.

The above pieces (two of which have sold) are collagraph prints on blocks displayed in box frames with found objects. The one featuring Pen-y-ghent came about as a result of me finding some skylark eggshells whilst running the Yorkshire Three Peaks Route! I carried the shells nestled in an emergency bivvy bag and was totally amazed that they remained undamaged for the remaining 19miles of the run. It was a glorious day and the larks sang at every step.

Our next exhibition of Collections will be at the lovely Ryedale Folk Museum Gallery and will run from 27th May – 16th July 2017. We will be supplementing the Masham exhibition with new work and also some pieces inspired by the museum’s own collections. We were very fortunate to have a guided tour by museum director Jennifer Smith and one of her colleagues. Soon we were handling ornate fragments of green glass made illegally in Rosedale by French Huguenots fleeing from religious persecution at home; leafing through a scrapbook full of amazing fragments of historical handprinted wallpaper & admiring the eclectic objects in the Harrison Collection.

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I’m really looking forward to starting on the new work but in the meantime…I’m back at Ålgården Studios in Sweden and I’m working on the first of 7 x 12′ hangings for my print installation in a field barn for the Grassington Festival in June/July this year. More on that next time.

Collections

So…what am I up to this year (apart from the usual exhibiting and selling in galleries)? Well, I’m making lots of new work and the majority of it will be for a joint exhibition in November. The show features my printmaking and the work of two friends and colleagues, Josie Bezant and Charlotte Morrison. Josie is an artist (and owner of Masham Gallery) who creates assemblages, collages, mixed-media pieces and paintings and Charlotte is a ceramicist. Charlotte and Josie also run Crafted by Hand (a multi-talented pair!). We’ve all exhibited together before but this is the first time the three of us have worked so closely on a project and shared a common theme.

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I’ve always collected natural objects: stones, bones, feathers, skulls etc., and whenever I am walking or fell running I am constantly on the look out for these ‘natural treasures’. The significance of my finds is important to me. For example I am not so interested in the skull of a rabbit, a very common animal, as I am the skull of a curlew which, for me, symbolises the wilderness, moorlands and the arrival of spring. Coming across a pile of linnet feathers with one lone tail feather from a merlin was so exciting and told a complete story of an act that is rarely seen by humans. It triggered the work below which is called ‘The Huntress’ and features a collagraph print, linnet feathers and a twisted heather branch.

The Huntress

I’m really enjoying using some of my finds within the finished pieces and there will be a number of ‘one-off’ multi-media works at the exhibition. Over the next few months I’ll be writing posts about some of the works that I’m making and you can also read more about the project at our website. Josie, Charlotte and I envisage that this will be an ongoing project and that the exhibition will tour to other venues and perhaps collect more artists along the way.