The start of a new year invariably signals a time to look back and reflect on what has been before making plans for the year ahead. 2013 was a really good year for me on many levels but I ended it feeling frazzled and burnt out. Working at such an intensity is not good for the soul and it certainly wasn’t good for this blog 🙂 Three months have passed since I wrote anything here. I was swept along on a wave of printing for exhibition deadlines and orders and time to think was severely lacking. It became a standing joke that my boyfriend would text me to say goodnight just as I was about to start printing another collagraph and I now know Sailing By by heart and could probably list all the places covered in the shipping forecast. Where would I be without Radio 4?!
I’ve had a great year though. I took part in 20 exhibitions and events and lost count of the workshops that I taught. I completed my second year of Joan Newall’s bookmaking course and have started my third. I also went on Alice Fox’s rusting workshop and Jane Littlefield’s stained glass workshop. I attended lots of exhibitions and previews and helped to set up a printmakers’ networking group. My prints have sold well and I’ve met some lovely people that have bought them. To my astonishment, one collagraph print proved to really strike a chord with people. I designed ‘The Way Through the Woods’ in April and it was an edition of 50. By October it had totally sold out! I would love to be able to repeat that with another print but you never know what is going to capture people’s imagination and so I’ll just continue to make things from the heart and hope that what makes me tick, will inspire other people too.
In the months leading up to Christmas I realised that if I want to feel happy and fulfilled in the longterm, I need to rethink how I work. It really isn’t easy to turn down opportunities when you are a full-time artist and even though I only have myself to support, the pressure is on to ensure that I make enough to cover my bills and pay my rent. I also strongly believe that you just don’t know where some of those exhibitions, events etc. might lead and, anyway, I do actually thrive on being busy but perhaps not quite as busy as last year!
(This is from Art in the Pens in Skipton, I hope to be doing it again this year and also one in Carlisle!)
So I’m starting 2014 with a different goal. I’m going to pare down my calender somewhat and give myself plenty of time and headspace for developing ideas. Without that, it is hard to make meaningful work. I’ve organised a lovely programme of workshops with ArtisOn Ltd. and will start that in mid-March and I have a few exhibitions pencilled in my diary that should punctuate the year nicely but mainly I will be working on a body of new work for my exhibition at Inspired By…Gallery in Danby. This takes place in November and continues into 2015. I was invited to show there by Sally Ann Smith of the North York Moors Park Authority and it was a lovely coincidence because I was on the verge of approaching her to apply to exhibit. I’ve asked ceramicist Charlotte Morrison to share the space and together we will be creating work inspired by the national park. We’re calling our show ‘New Ground’ and I’ll be blogging about it from now until the opening as I go out into the field and gather ideas for new work.
(the tangled birch woods near Gormire)
I’m also returning to Ålgården in Sweden in February. That will really help get the year off to a good start. I invariably find January and February quite hard. My fellrunning prevents me getting such bad SAD symptoms nowadays but motivation can be at a low. I’m being kind to myself this year and have lined up enough workshops to pay my bills and am allowing myself the rest of the time to do whatever comes easily. I’m really enjoying doing a bit of reading and research about printmaking and I’ve had some great networking days already. In fact, I actually feel raring to go!
My next blog post will be about my trip to Cornwall next week when I will be ‘artist in residence’ at Alverton Gallery in Penzance. I’ll spend three days printing in the gallery to coincide with an exhibition of etchings by Edward Bouverie Hoyton at Penlee House and Gallery.