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Cherish – Celebrating Priority Bird Species in the Yorkshire Dales

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As we begin 2026 and are dealing with the fluctuating winter weather across the country, my thoughts are turning to the project that I will be working on well into 2027. Cherish is the title and it will culminate in a joint exhibition with Sally Zaranko at the Dales Countryside Museum (DCM) in the summer of 2027. Using our own experience of the landscape, archival material from the museum and the Nature Recovery Plan for the Yorkshire Dales National Park (YDNPA), the project will celebrate the priority bird species that exist across the YDNP thanks to its varied and distinctive landscape.

Bird’s Eye View, collagraph print inspired by the cattle grazed area of Ingleborough Nature Reserve where bird’s eye primroses thrive in spring and wheatears, meadow pipits and skylarks nest.

The idea has been in the back of my mind since working on the DCM’s Ink Inspiration project celebrating the life and work of Marie Hartley, their founder. During my research, I came across an entry in one of her diaries in the museum archives (see below). It was from 1947 and listed all the birds that she had seen in the Askrigg area. What particularly drew me to the list was the corncrake. These birds are now only very rarely seen whilst on passage through the dales due to changes in land-use & farming practises making it unfavourable for their successful breeding. In fact, many of the birds that Marie saw regularly are now red or amber listed species and I made a print called Marie’s List in response to that idea (read more about that HERE)

Marie Hartley’s bird list as found ink one of her diaries in the DCM archive.

“The Nature Recovery Plan (NRP) for the Yorkshire Dales National Park sets out the Biodiversity Forum‘s aspirations for action between now and 2040, aiming to conserve and enhance the biodiversity within the National Park“

I have chosen a selection of birds from the Category A & B lists in the plan, birds that appear on Marie’s List and ones that I encounter myself within the Three Peaks Area of the Yorkshire Dales. I hope that through my research and subsequent print work, I will join Sally in celebrating the fact that the YDNP has significant populations of these species within the UK and to make links between the varied habitats that support them. Between us we will also be drawing on the personal experiences of birds by people living and working in the dales through the oral history project.

Sumer is Icumen In, collagraph print from Charms and Murmurings. The cuckoo is one of my selected birds for Cherish

Following on from Charms and Murmurings, I will be exploring some of the cultural history of birds through folklore, place names, vernacular bird names and historical records. It is exciting to have this time to become fully immersed in a subject that I have had a lifelong interest in thanks to my parents particularly my mother who, following her degree and phd in zoology as a mature student, became an ecological consultant. It is so nice to be able to draw on her vast knowledge (and library!) and to have the kind of conversations that spark new ideas for prints.

Should anybody reading this blog have their own memories of birds in the Yorkshire Dales that they would like to share, please do feel free to comment below or send me a message through my website HERE. I’d love to hear them.

Corbie, bran, cigfran…AKA the Raven!

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Ravens have captivated me for most of my life and I am fortunate to live in an area where I see them often. When I summit Ingleborough there will invariably be a pair flying around and I see them when I am running over Plover Hill and Pen-y-ghent. These intelligent members of the corvid (crow) family are also the largest and the ones that feature most in the folklore and mythology of cultures from all over the world. (Below are just a few photos I’ve taken over the years, note the difference in size between the raven and the crow in the last photo!).

For Charms and Murmurings at Ryedale Folk Museum – my latest Collections exhibition with Josie Beszant & Charlotte Morrison – we are showing work inspired by the folklore, mythology and stories surrounding birds. Ravens feature in many of our pieces including our collaborative work ‘Corvid’. I made a template showing the primary and secondary wing feathers of a raven and we each made fourteen feathers that, when collected together, formed a pair of ‘wings’. I love the distinctive primaries on a raven’s wing that look like fingers stroking the sky.

The three of us at the opening of Charms and Murmurings
(l-r: Charlotte, Josie, me)

My collagraph feathers are inspired by the many places throughout Yorkshire that are named after ravens and also the Norse myth of Odin and his two ravens, Huginn & Muninn (Charlotte’s feathers are ceramic and Josie’s are paper collages).

Ravens are carrion eaters and, because of this, they were often associated with death and loss. They are also ‘talking birds’ that are able to mimic human speech and this is thought to be the reason that they appear as messengers in so many myths, often travelling between worlds, to bring news to their human companions. Back in 2000, I created a raven collagraph inspired by Celtic mythology and called The Messenger:

25 years later(!) I have chosen to explore the story of Odin’s ravens and for Charms and Murmurings I have created this piece entitled Thought and Memory:

Huginn (Thought) and Muninn (Mind or Memory) would sit beside Odin – often regarded as the God of Ravens, the dead and warfare – and each morning he sent them out across the world and they would report back on everything they saw and heard. The names of the ravens are difficult to translate but Huginn is thought to represent the intellect/comprehension/perception and Muninn the emotions/memory/urges (to put it very simply). Whilst researching ravens, I came across an article that referenced a quote from the Poetic Edda called Grímnismál (in old Icelandic):

Huginn ok Muninn fljúga hverjan dag Jormungrund yfir;

óumk ek of Hugin, at hann aptr né komit, pó sjámk meirr um Munin.

A translation of this is:

Thought and Memory fly every day the whole world over;

each day I fear that Thought may not return, yet I fear more for Memory.

This really resonated with me and, coming at the idea from an ecological viewpoint, I wanted to depict Thought (Huginn) as living in the natural world that we see and experience physically and I have used the branches of an ash tree which directly links to the sacred ash tree (Yggdrasil) in Norse myth. I’ve created moths to fly among the branches symbolising thoughts and the spirit.

For Memory (Muninn), I depicted the roots of an ash tree with fossils caught amongst them representing the past, our memories and the underworld realm of the dead. The fact that Odin was an elderly man and that he feared losing Muninn more than Huginn made me think about the devastating disease of dementia. Losing our cognitive ability and short-term memories, we become lost in our own world unable to make sense of the here and now and often become physically lost both to our families and friends but also in reality when we can’t find the associations needed to navigate in the world around us. I am not really sure how this collagraph relates to my thoughts but I made it with them whirring around in the background.

NB some people believe that Huginn and Muninn were linked to Odin himself and that through shamanic practices he would send his own thought and mind journeying across the world. Ravens have often been a bird that humans and mythic beings were thought to transform into.

As is usual with my work, there are layers of thought behind it and some I won’t be able to verbalise for a while (there is something about ‘ash dieback’ in there I think!). I often create my prints from ideas that are more instinctive and come from experiences that link to things I feel but haven’t found a way to express in words. This is why I love to meet people at art fairs and discuss my work with them. At the Saltaire Inspired Winter Makers Fair last weekend, I had some wonderful discussions about my new work and found that visitors were providing insights that made me feel like shouting ‘yes, yes, that’s it!’.

Corbie – collagraph print

Finally, this last piece is part of my ‘animal, vegetable, mineral’ series that takes my feather collection as inspiration and links to manmade objects and the plant world. Here I have created collagraphs of a raven feather, a sprig of bog myrtle (sweet gale) and a piece of Viking hack silver which is actually from a former project. Bog Myrtle is thought to be a plant that the vikings used to create a drink which helped them ‘berserk’ before going into battle! There is an interesting article about the varied uses of the plant HERE.

Thank you to everyone that has visited the exhibition and for all of your feedback. I welcome your ideas and experiences about birds, folklore and my work so please do feel free to comment below.

Charms and Murmurings is on at Ryedale Folk Museum until 2nd November.